The Illustrated Book Club on Facebook

book covers, crowdfunding, news, Patreon, social media, The Illustrated Book Club

A quick announcement to let everyone know that TIBC now has its own Facebook page (see here). Join me there to chat, suggest titles, and moan about Facebook (well, I’ll be moaning about Facebook – you’re welcome to join me…). Also, just a reminder that TIBC is also on Goodreads (for book discussion) and Patreon (for sketches, giveaways, postcards… etc).

The Illustrated Book Club – Now on Goodreads

crowdfunding, Patreon, social media, The Illustrated Book Club, Uncategorized

Hi Everyone,

The Illustrated Book Club now has an associated Goodreads reading group – to discuss books, suggest titles, etc. It’s already got a few members – check it out here.

You don’t need to support me on Patreon to join the discussion on Goodreads, and you can suggest titles, see links to the finish book covers. However, you won’t be able to vote on titles, get discounts, see work in progress, be eligible for giveaways and other rewards, and so on.

Just a reminder that all books covered will be public domain, so there’ll be a free etext somewhere, which means you can take part free.

See you there!


Copyright and Fan Art: An Illustrator’s View

Copyright, fan art, illustration, Patreon, The Illustrated Book Club, Uncategorized

First of all, for anyone who needs to know, here is a statement to make clear my position on copyright and fan art:

If I create illustrations based on copyrighted characters/stories/etc, I do not make any money from these – either as prints, merchandising, or original art sales. They exist only as works of ‘fan art’ (an expression of my admiration/interest in those characters/etc), or for the purposes of showcasing my skills. If any prints are produced, these are only for the purposes of sending samples of my work to prospective clients. I respect copyright, and do not want to infringe on anyone else’s.  If you are the copyright owner of any works/characters/etc portrayed on this site, you disagree with any usage of it for the stated purposes and wish me to desist, please get in touch and I will comply immediately. 

Anyway, that’s my basic position. I tried to make that as concise as possible! 

Regarding illustration, what I’m calling ‘fan art’ is somewhat of a grey and complicated area. Anyone who has ever been to a comic book convention, or has seen the sorts of commissions produced in artists’ alley, may have wondered how this sits with the copyright owners. Are they happy? There’s a very interesting talk given by the copyright lawyer from Deviantart which sets all this out, but the basic answer would seem to be ‘yes – and no’. If you’re Adam Hughes or J. Scott Campbell, or any sort of jobbing artist, and you’re providing one-off original sketches of Batman or Wonder Woman (or whatever), then that would seem to be fine. Technically, even here, someone such as Marvel or DC would be within their rights to ask any artist to cease and desist from selling such artwork (unless a case could be made that it was an original work, in some way – see the video and the Darth Maul example), but it seems that, in practice, they’re more or less happy to turn a blind eye. This is partly because it does no real harm – the ‘brand’ of Superman is not being undermined by artists producing original drawings for fans – far from it. You may argue that, especially if the work is good, it reinvigorates the ‘brand’, keeps it alive and in the public consciousness, and in some cases may even serve to resurrect and popularise minor or forgotten characters. Similarly, if amateur artists or fans produce ‘fan art’ – sketches or fun doodles or cartoons of Deadpool or Harley Quinn – they’re simply expressing their love for the characters, and sharing it with others (e.g. on social media). This case is even more straight forward than the artists’ alley example, because at least here no profit is involved.

The ‘not happy’ part of the answer seems to be where fan art becomes merchandising. Selling a single sketch of Deadpool is different to selling that work on a t-shirt on Society 6 or Red Bubble. Anyone attempting to do so can expect to be shut down, at some point. A contentious case would be the kind of ‘mash-up’ t-shirt designs you get on such sites as Teefury or Threadless, or other similar sites. These would seem to walk a very tricky line, and to be honest I’ve no idea how they get away with it. For instance, how do you think the J.R.R. Tolkien estate and Bill Waterhouse feel about this?

By the way, I’ve nothing against this sort of thing – some of it (such as the above – I hope they don’t mind me using this image! – by artist Cool Johnny, taken from Threadless) is charming and beautifully done, and I would rather it it existed than be quashed by the copyright owners. But, when you think of the fact that even an artist’s drawing style can be a matter of copyright, it does make you wonder how busy the lawyers for such sites are.

The line can sometimes be blurry: someone may start a Patreon account (as I have) and offer rewards to patrons in the form of commissions. Let’s say that some of these commissions are of copyrighted characters. Is this allowable? Technically, money is changing hands in relation to someone else’s intellectual property. How is this different to artists’ alley commissions? It isn’t, and whether it is allowed seems to depend on the policy of the website where the work is hosted, and how vigilantly the copyright holder polices potential infringements. In this case, Patreon’s attitude would seem to be that, unless the creator is abusing copyright in an outrageous way (e.g. writing ‘new’ Harry Potter stories, or drawing ‘new’ Batman comics), they will simply wait to see if they receive a complaint, at which point they will simply take the offending works/account down. In my own case, with The Illustrated Book Club, I decided to sidestep this whole problem by simply choosing books that are in the public domain.

The chief lesson from all of this seems to be that, where you are not the copyright holder (and it’s not public domain), all usage of others’ copyrighted material is done so at your own risk. Most of the ‘allowable’ examples cited above are at the sole discretion of the copyright holder. It would therefore be completely within Marvel’s rights to ask the artists in artists’ alley not to sell commissions of its characters. That they generally turn a blind eye says nothing about the law, which is pretty clear in this respect. Even if no money is involved, a copyright holder may ask you to remove some use of their intellectual property that they don’t like.

I should just make clear that these are my personal thoughts. I’ve tried to get advice from fellow illustrators and professional organisations, but at the end of the day it’s just my understanding of the situation. And there are still things I’m not 100% sure about. For instance, I produce a lot of caricature/portraiture, and I understand that – where these are living (or recently dead) individuals – then someone might take offence (the individual in question, or their estate/family). This edges into the field of libel, but then surely political cartoonists must be protected for the purposes of satire? Luckily, I’m not a political cartoonist, so I don’t have to worry too much about that, but even with my relatively tame style I’ve had to doctor published caricatures so as not to even suggest something that individuals might potentially be offended at. Even if it turned out to be defensible, no one wants to be a test legal case – it’s just too potentially expensive. 

A final grey area is perhaps the caricature of individuals which reference copyright works. A caricature or portrait of George Orwell might not be libellous or offensive, and therefore allowable (as long as it was not a straight copy of a copyright photograph!), but what if he were portrayed as Winston Smith, in one of the scenes from 1984? Could that be a potential infringement of intellectual property? 1984 does not enter the public domain in the UK until 2021, and in the US, not until 2044 (though it is in the public domain in other countries – which is itself another headache, especially concerning internet usage where it’s hard to restrict availability to a specific location). It’s interesting to note that Apple got into trouble for its 1984 inspired commercial broadcast in that year, and the Orwell estate is still rather litigious, even with smallscale use. Maybe it’s best to steer clear of Orwell until then…?

Anyway, as I’ve said, given all of the above problems, I’ve decided to adopt the simple policy stated at the beginning. I make no money from others’ intellectual property in any form. Where I do produce illustrations using others’ copyrighted material, I do so only to showcase my skills as a book illustrator – just as a singer may perform a cover version. Even then, I realise that a copyright holder might take offence; and if they don’t, it’s simply out of goodwill, and not due to any freedom I have to use their material for these purposes. I’m happy to remove any offending work.

Then why take any risk at all? Why don’t illustrators and artists simply stick to original creator-owned art, or illustrations inspired by public domain works? Perhaps it’s just as simple as this: to get work, illustrators – as much as singers – occasionally need to reflect modern tastes and interests, to piggy-back on what’s popular. Even established professional artists don’t seem to be immune to this (look out for the recent slew of ‘fan art’ inspired by ‘Stranger Things’, or whatever else is ‘trending’). To continue the singing analogy: Mozart and Purcell are fine but, even if only now and then, more ears will prick up by singing something a little more contemporary.

The Illustrated Book Club

illustration, Patreon, The Illustrated Book Club

The Illustrated Book Club on Patreon

My new Patreon page is now live. Each month or so, members of The Illustrated Book Club get to vote and suggest from a list of titles drawn from public domain fiction, non-fiction and short stories. We then discuss these (like a normal book club) while I provide illustrations. Members/supporters also get discounts on original art, commissions, prints and other rewards.

The first book is Dickens’ Oliver Twist. Visit my Patreon page to find out more. Go here to join/vote/suggest. We are shortly about to vote on the next book – the current voting suggestions are below.

The List

(Votes will be added in brackets after each candidate as they appear)

  1. Frankenstein, Mary Shelley
  2. Wuthering Heights, Emily Bronte
  3. A Study in Scarlet, Arthur Conan Doyle
  4. The Picture of Dorian Gray, Oscar Wilde
  5. The Memoirs of Jacques Casanova de Seingalt, Casanova
  6. Gulliver’s Travels, Jonathan Swift
  7. The Prince, Niccolò Machiavelli



New Pieces in the For Sale Gallery

caricatures, illustration, original art, sales

Just uploaded nine new pieces of original art to the for sale gallery – philosophers and psychologists, mostly.

Go here: Original Art Sales and Commissions

New Book Illustrations for Octopus Books

book covers, commercial work, publishing

I’ve been commissioned to produce illustrations for a series of books for Octopus Books. The first two will be ‘What Would Nietzsche Do?’ and ‘What Would Freud Do?’, which will be published sometime in 2017. You can see a selection of the pieces in the portfolio (here and here).

Gareth Southwell - Elsyium Gallery Preview Night - photo courtesy of Jo Mazelis

Elysium Gallery Exhibition

exhibitions, illustration, original art, sales

The evening of Friday 7th August saw the preview night of my joint exhibition with fellow Gower College Swansea artists in residence Jason & Becky. It marked the end of the residencies that had run from April through June. “Collider” (as the exhibition is called) hosts 18 of my original works, together with installation works by Jason & Becky (and which also included a performance element on the night). Here are a selection of photos – some taken on preview night (courtesy of Elysium), and some later (courtesy of Eliot Southwell).

If you’re in the vicinity, please pop in. The exhibition runs until Sunday 30th August, and Elysium Gallery is open 12 to 4 pm, Wednesday to Sunday. For those interested, all my pieces are for sale – contact me for pricing, etc.

Finally, thanks go to: Michael Murray, for setting up the residency, and for his friendship, help and advice (best of luck with the new freelance gig!); Jon Powell and all at Elysium; Lucy Donald and all at Mission Gallery; the staff and students of Llwyn y Bryn campus, for allowing me the run of the campus and making me feel at home, especially Chris Jones, Elinor and Mary and everyone in the Foundation block, Phill Cumpstone, and Hywel (sorry about the car…!); Kris Besley and Kate Pearce, for their encouragement and support; Jason & Becky, for sorting out the flyers, and for their generosity and flexibility; Eliot, for the pictures; Jo Mazelis and Mark Matthews, for being there (in both senses), and Jo for her photos (of me, looking scruffy and well-fed…); Lee Aspland and Phill Burton, for backing me; and lastly my Jo, for chauffeuring, accompanying, and generally for everything she has to put up with (saintly, she is).

New Sales & Commissions Section

commissions, exhibitions, original art, sales, website

The website now has a new Original Art Sales & Personal Commissions section, with thumbnails of most of the original art I currently have available. Please contact me with the title of any piece you’re interested in for more info and pricing. Some pieces are earmarked for the exhibition in August, but you can pay to reserve any piece you want and I’ll post after the exhibition is over (beginning of September). I am also currently OPEN for commissions – just contact me for more info.

Preparing for the Exhibition

exhibitions, news, original art, Patreon

So, I’ve just come to the end of the artist residency at Gower College Swansea. Last month, I did a little exhibition at Mission Gallery, Swansea with fellow artists in residence, Jason and Becky, and this coming month will see a joint show with them at Elysium Gallery, Swansea.

So, I’m currently preparing some new work, which I’ll be showing with some recent and older pieces. I’ll be sharing these as I finish them, as well as works in progress, sketches and doodles, via the usual social networks and Patreon (where the interested can support and follow me).

The exhibition will start on August 7th, and run through August 30th. You can read more details about the show here.

Site Redesign and Reboot

social media, website

I’ve given Woodpig a fresh lick of digital paint, so I thought I may as well junk all the old posts (which were mostly not relevant any more anyroad). Please, have a look around and let me know if you’ve any comments – I’m still adding stuff to the portfolio, and tweaking the appearance, but it’s mostly finished. My Instagram posts now act as a sort of sketch/photo blog, so I’ll keep this news section for…er…news – and announcements, stray mental meanderings, and all other things verbal.